The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

Suffice it to say, pop culture and the entertainment industry didn’t objectify Pamela Anderson through the 1990s because of her voice; her cachet grew commensurate with the display of her bust, the cut of her swimsuit,

The intimate character study from director Gia Coppola of two women who find their time in the spotlight fading is a wistful, moving experience

In this episode of The Envelope, 'The Last Showgirl' star Pamela Anderson reflects on her life in the spotlight and John Magaro delves into the making 'September 5.'

This evening’s premiere of the Anderson starring The Last Showgirl at the Chinese Theatre in Hollywood has been cancelled, we hear.

“I’m beautiful,” she says before a friend walks her offstage. “I’m 57, and I’m beautiful, you son of a bitch!”

Pamela Anderson shares how her showgirl group chat informed her of her Golden Globe nomination, discusses how her role in Chicago on Broadway influenced her role in The Last Showgirl and shares her thoughts on the original Baywatch swimsuit that has been on display in museums.

Pamela Anderson, Kiernan Shipka, Jamie Lee Curtis and director Gia Coppola discuss making "The Last Showgirl," a tribute to Las Vegas dancers to which Anderson could relate.

Anderson’s life uniquely prepared her for the role of Shelly, a single mother performing in a Las Vegas revue, struggling to let go of her old life – just as the star that plays her is giddily sheddin