When Julia Fox first appeared in Uncut Gems, she announced herself as a show-stopper. Audiences everywhere were bewildered as to where Josh and Benny Safdie, the sibling duo who often cast non-professional actors,
Josh Gad, who released his memoir “In Gad We Trust: A Tell-Some” on Jan. 14, says his “Love & Other Drugs” co-star Jake Gyllenhaal warned him not to pursue a role in “The Book of Mormon,” the raunchy musical-comedy from “South Park” creators Trey Parker and Matt Stone. “While bouncing back and forth to do …
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding.
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.
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“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.
Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When I think of horror, I think of Linda Blair in the MRI tube [in The Exorcist].
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us drift
Even if Reddit threads are arguing about the ghost's identity, I think Steven Soderbergh's latest film is representation for feminist ghosts<333
Steven Soderbergh is famously one of Hollywood’s most earthbound filmmakers. He has avoided directing superhero epics largely because there’s no sex. He famously told The Daily Beast back in 2022, “Nobody’s f—ing!