Jafar Panahi’s “It Was Just an Accident,” a Death and the Maiden –like drama about a group of Iranians confronting a man whom ...

Similar to Coen’s other films, “Honey Don’t,” which he co-wrote with his wife Tricia Cooke as the second installment of their ...

The title of Kelly Reichardt ’s “The Mastermind, ” the last film to premiere in competition at Cannes this year, only gets ...

Publisher and Editor Chaz Ebert and a team including Managing Editor Brian Tallerico, Scott Dummler, Robert Daniels, Isaac ...

Of particular praise is Manna Wei as Yaya, who is forced to see the harsh realities of the world through the prism of her ...

Today's dispatch include Jodie Foster's first French-language film and a sprawling Russian epic about a Nazi monster.

For me, a critic who had to part ways with Cannes too early to see acclaimed new films by Bi Gan, The Dardennes, and Joachim ...

The Israeli director won the top prize at Berlin in 2019 for “Synonyms” and made his Cannes competition debut with “Ahed’s ...

It’s interesting that lately, for most of this century, the really good teen movies have had women writers or directors: Tina ...

The relationship between art and power—and, more specifically, cinema and power—is the subject of “Eagles of the Republic,” ...

Now, I’m not going to beat around the bush: the modest midnight section at Cannes has been disappointing: “Dalloway” was a ...

Nine Perfect Strangers” started as a maximalist show, with Nicole Kidman bewitching those around her as Masha Dmitrichenko, ...