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www.artsatl.org
Lisa Fischer on singing with The Stones, upcoming show with Ranky T…
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Atlanta Soundtrack: New music from Ciara, Vision Video and vintage ...
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Sarah Hillmer helps choreographer Helen Pickett bring ‘Crime and ...
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An "August: Osage County" with the laughs but minus dysfunction's ...
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Serenbe community celebrates Curtis Patterson's striking new s…
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"The Daily Show with Trevor Noah" streaks through Atlanta’s election ...
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Arts Agenda: Jazz and Blues – November/December 2024 - ARTS ATL
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Michael Richards will be at the MJCCA book festival. Does his memoir ...
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Looking back, launching forward: Urban Bush Women to perform at E…
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Atlanta actress animated about live-action "A Loud House Christmas ...
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"Breaking," film of Atlanta veteran's descent into despair, goes into ...
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Actor Danielle Deadwyler prepared for her new film ‘The Piano Lesson ...
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Partners in the Arts: Tinashe Kajese-Bolden and Keith Arthur Bolden ...
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Review: “Urinetown” is a royal flush in performance, wit and timeliness ...
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Arís Theatre brings the passion as it strolls through "Ulysses" on its ...
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Streaming in November: "Catherine Called Birdy," "Descendant, "Mr ...
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Streaming in December: "Guillermo del Toro’s Pinocchio,” Harry Styles ...
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Review: Love the "Mean Girls" film? The musical aces this popularity ...
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Silkroad’s ‘American Railroad’ makes tracks to Atlanta - ARTS ATL
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Meet two Suzi Bass nominees from ‘Natasha, Pierre and the Gr…
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Review: Nathalie Stutzmann makes bold statement in Atlanta Symphon…
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Documentary on Northside Tavern honors the mostly true legacy of th…
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Review: “Turn of the Screw" characters enhance unhinged, spo…
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How "Mary Poppins" star Galen Crawley takes flights of fancy at Aurora ...
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Review: Alliance Theatre's “Everybody” is not going to please everybody ...
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Kimberly Belflower on childhood, growing up and reclaiming the “Lost ...
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Review: The Georgia Ballet’s new “Peter Pan” is a charming escape to ...
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Aurora's "Christmas Canteen" brings holiday cheer variety to ...
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Review: “Alabama Story” illustrates the perils of book banning with ...
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Doug Shipman sees BLM movement and COVID as catalysts for change i…
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Kimberly Belflower on childhood, growing up and reclaiming the “Lost ...
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Review: “Bluebeard’s Castle” puts modern twist on a classic masterpiec…
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Documentary on Northside Tavern honors the mostly true legacy of the ...
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The Backstory: How Collective Soul’s ‘December’ got that sound - ARTS ATL
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Q&A: McKenzie Kurtz says Atlanta paved her yellow brick road to ...
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